With just 4 steps, you can create a watermelon painting with no sweat, and nearly as sweet as the real thing. Who can miss this tasty fruit? Get a slice of summer with this Watercolor Watermelon tutorial from Craftsy. Watermelon screams for summer! This delicious and juicy fruit always evokes memories of fun, picnics, and warm weather. But nonetheless, I would love to try it sometime. It gives me hope that maybe I could duplicate it, although sure it will be much cruder. This is such a beautiful and creative project. Have a look at this tutorial from The Alison Show as well for different ways you can blend and some other ideas. This creates the look of a seamless transition of color. Watercolor Tutorial Blendingīlending or wet on wet technique is the method of dropping in color while the paint is still wet. You can create pretty greeting cards with a lovely message in the center or put it up as wall art as it is. Learn how to make a watercolor feather wreath in this simple tutorial from Ink Struck. Httpv://Watercolor Techniques and Tutorials 1. Video Demonstrationīelow is a video demonstration of the above watercolor tutorial. The last step is to add a few more drips, including some with gouache and then finish removing all the masking fluid in the trees foliage. Here is a close up of the textures I am building with watercolor crayons. I scribble on that background with a dark green watercolor crayon being careful not to draw on the grass blades. Then I want to accentuate the contrast in the grass area by making the background darker and more complex. The green I used is a mix of Viridian green and either Cadmium lemon or yellow ocher. Then I start taking off the masking fluid.Īnd painting the grass with a mix of green, yellow, blue, brown I painted the trunks with a mix of brown, blue, orange and red, mixing colors on the paper and then once in a while in the painting process would ad a few drips to let the paint move and add interesting textures.īefore removing the masking fluid I sprinkle the painting with water and watercolor paint to add interesting textures. I then worked on the trees foliage, leaving space unpainted for the trunks This is the grass background with wet in wet mixes of green, yellow ocher and burnt umber. To apply masking fluid I did use a brush soaked in water and rubbed against a soap. Once everything had time to dry, I did preserve a few white areas in the trees and also isolated a few grasses with masking fluid so I could paint a background in that grass section of the painting. To mount my paper on the board I followed the process explained in that post: I started by making my drawing on the paper and then I mounted that paper on the board. Here is a detailed step by step tutorial followed by a time lapse video where you can see the painting process. So this is my latest watercolor and mixed media painting on paper, I used traditional watercolors, then a bit of gouache mixed with watercolor and watercolor crayons. I also quite like the look of varnish on top of watercolor, I think it brings out contrasts and looks very good. I really like mounting watercolors on board, I can have the advantages of watercolor, a very fluid way of painting, and then still have a painting that can hang on the wall without frame or glass. Watercolor and mixed media on paper, mounted on board Watercolor and mixed media painting tutorial : Playing in the grass I also sometimes like to add some drawing on top of the painting or some graphic elements… Then I like to incorporate mixed media in the background, work sometimes with some contouring. My technique involves the accumulation of many transparent layers of watercolor. Those faces are a source of endless fascination and I find the subtlety that can be achieved with watercolor well suited to the complexity of the human face. Those portraits are not about likeness or knowing the people that are being painted, as I see my models as actors in a movie, they are the faces that will allow me to tell a story or to show emotions. I also like to induce a dialogue with the viewer in some paintings dealing more with introspection and mood (Mixed, In the studio). I am very interested in childhood fantasy or fairy tales (I wish it would snow Flowers, Hair Balloon, Georgia, the Spanish dress and the Eclectus Parrot). The transparency of this medium can make it look like the painting is lit from behind and the light is shining through the paper In my portraits, I like to tell stories about the people around me. Watercolor is my medium of choice because of the unique way it allows me to render light. I grew up in France but have been living in Canada for the last 12 years, I am currently located in North Vancouver and work from a studio on Pemberton Avenue.
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